Ñàéò ïîå糿, â³ðø³, ïîçäîðîâëåííÿ ó â³ðøàõ :: Ben Jonson :: Òâîð÷³ñòü

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>> ÂÕ²Ä ÄÎ ÊËÓÁÓ << e-mail ïàðîëü Óâ³éòè çàáóëè ïàðîëü? < ðåºñòðaö³ÿ > Çàðàç íà ñàéò³ - 5  Yrina9  Zorg  ²íü-ÿíü  Ìèçàíòðîï  Ñîô³ÿ Ïàñ³÷íèê Ïîøóê àâòîðà çà ³ìåíåì àâòîðà çà ì³ñòîì àâòîðà çà ID â³ðøà çà íàçâîþ â³ðøà çà ID Ïîøóê Google Ïåðåâ³ðêà ðîçì³ðó Ïåðåâ³ðèòè

Ben Jonson :: Òâîð÷³ñòü Òâîð÷³ñòü | Á³îãðàô³ÿ | Êðèòèêà A Hymne to God the Father A NYMPH'S PASSION A SONNET, TO THE NOBLE LADY, THE LADY MARY WROTH A fit of rhyme against rhyme AGAINST JEALOUSY AN ELEGY - By those bright eyes AN ELEGY - Let me be what I am AN ELEGY - Since you must go AN ELEGY - Though beauty be the mark of praise AN ELEGY ON THE LADY JANE PAWLET, MARCHIONESS OF WINTON. AN ODE TO HIMSELF AN ODE TO HIMSELF An Hymn on the Nativity of My Savior. An Ode MY PICTURE, LEFT IN SCOTLAND ON THE PORTRAIT OF SHAKESPEARE THE DREAM THE MUSICAL STRIFE. A PASTORAL DIALOGUE TO THE AUTHOR TO THE MEMORY OF MY BELOVED MASTER WILLIAM SHAKESPEARE, AND WHAT HE HATH LEFT US The Forest

Íîâ³ òâîðè Svitlana_Belyakova -×àñ, çóïèíèñÿ! tosikosan -Ùåçíóòü îðêè Îëåã Êíÿçü -Ìàëî  ²íü-ÿíü -Äî òåáå Ðîñòèñëàâ Ìåëüíè÷óê -Êîõàííÿ ïåêëî…  Ãåííàäèé Äåãòÿð¸â -Ðûñü  Ãåííàäèé Äåãòÿð¸â -Ìå÷òà  Îêñàíà Áóãðèì -Êàïë³ ïî ùîêàõ Îêsi -Ðîçìîâà Talia -ß ïëà÷ó, êàê è âñå  Ïàòàðà -Áåç íüîãî ªâãåí Êîâàëü÷óê -"ͳ, íå áóäå ö³ëèé â³ê…" ªâãåí Êîâàëü÷óê -"Ìåí³ çäàºòüñÿ ÷àñîì, íà êðàþ…"  ×àéê³â÷àíêà -ÕÀÉ ÙÀÑÒÈÒÜ Ó ÆÈÒÒ² ! Ìàíäð³âíèê -ijä Ïàíàñ ïîâåðíóâñÿ  yusey -Êðèëà ÐÀÉ - Ðîãóëÿ Àíäð³é Éîñèôîâè÷ -ÑËÀÂÀ ²ÑÓÑÓ ÕÐÈÑÒÓ! ÑËÀÂÀ ÍÀ²ÊÈ ÁÎÃÓ!  ÀÌÅÐÈÊÈ ÍÅÌÀª ÑËÎÂÀ ÍÀ ÌÎ¯É ÏËÀÍÅÒ²!..  yusey -ß éäó íà â³éíó Òîìà -Çåìëÿ 230;  Á³ëîîçåðÿíñüêà ×àéêà -Ó ÿáëóíåâ³é çàâ³ðþñ³ Êàà3003 -Òèðàä Òðèàäà Íåô³ë³ì -Ïðîì³í÷èê Talia -ÑÓÌÅÐÊÈ  Ãàííà Âåðåñ -Êóëàê Òàòüÿíà Ìàëÿðåíêî-Êàçìèðóê -ÒÈÌÀÉÌÎÑÜ, ÄͲÏÐßÍÈ Êàà3003 -The memories of war crimes? bloodredthorn -Íàëåòèòü ñîñíà âîëîäèìèð ìàöóöüêèé -Âæå çìóæí³ëà Óêðà¿íà Ïðî âñå ³ í³ ïðî ùî -Ïàì'ÿòü Ïðî âñå ³ í³ ïðî ùî -Ëþòèé ³òàë³é Ãðå÷êà -Ùàñòÿ ìèòü  Lana P. -ÇÎв - ÌÎÐÑÜʲ DzÐÊÈ&#8230; (Äèòÿ÷å) Âàëåíòèíà Ðæåâñêàÿ -Sir Thomas Wyatt I ABIDE, and abide ; and better abide, óêðà¿íñüêèé ïåðåêëàä... Âàëåíòèíà Ðæåâñêàÿ -Sir Thomas Wyatt UNSTABLE dream, according to the place ̳é óêðà¿íñüêèé ïåðåêëàä.. Âîëîäèìèð Êåïè÷ -Çàáóëè  Ïðîìåíèñòèé ìåíåñòðåëü -Ñàêñîôîí é àêîðäåîí  Â³êòîð Âàðâàðè÷ -Íåäîëóã³ ÷èíÿòü çâ³ðñòâà  Á³ëîîçåðÿíñüêà ×àéêà -Áåçñîííÿ NikitTa -Äåñü ñòàð³ñòü… Ëþáîâ Ëþòà -ÊÎËÈ ÇÀʲÍ×ÈÒÜÑß Â²ÉÍÀ íà ìàíæåòàõ âèøèâàíêè -Äóð³þ â³ä æàñìèíó. Ñêð³çü òðåë³ ñîëîâ’¿í³. morozovlit -Èíôóçîðèÿ òóôåëüêà morozovlit -Ñòàÿ ìóõîìîðîâ Íåáàéäóæèé -ªäèíå ö³íóâàòè ùî ãîäèòüñÿ – Çåìëÿ. Àíäð³é Ëàãóòà -Íåâèäèìå Þõíèöÿ ªâãåí -Õîäîðîâñêèé Ìèõàèë, â ñìåõ, íàä ðàêåòîé Þõíèöÿ ªâãåí -Çàì³ñòü äðóæèíè âåëîñèïåä ã³ðñüêèé

Ïðîåêò ³í³ö³éîâàíî ó 2002 ð. êè¿âñüêèì ïîåòîì ªâãåíîì Þõíèöåþ

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